A metaphysical conceit can be defined as an extended, unconventional metaphor between objects that appear to be unrelated. More About This Poem The Canonization By John Donne About this Poet The English writer and Anglican cleric John Donne is considered now to be the preeminent metaphysical poet of his time. Learn exactly what happened in this chapter, scene, or section of Donne’s Poetry and what it means. In the poem "The Flea," John Donne uses a metaphysical conceit between a simple flea and the complexities of young romance to develop the narrator's argument for a young woman to forfeit her chastity.

‘The Canonization’ is a difficult poem, but closer analysis of its language and imagery is rewarding. They are very realistically portrayed and rich in metaphysical conceits and imagery. While the poem “The Flea” is more sensuous and depicting a theme quite similar to carpe diem (instant enjoyment), the poem “The Good Morrow” is all about a metaphysical awakening through a perfect physical union, but the poem “The Canonization” is more complex and … "The Canonization" starts with the poem's speaker wanting to be left alone. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. He addresses some unnamed person and demands that he (or she) shut their big yapper and leave him in peace—to love. Metaphysical Conceit in the Poetry of John Donne Many of John Donne's poems contain metaphysical conceits and intellectual reasoning to build a deeper understanding of the speaker's emotional state.

In “The Canonization,” Donne sets up a five-stanza argument to demonstrate the purity and power of his love for another. The speaker offers up plenty of other stuff for this other person to make fun of, like his tremors, gray hair, thin wallet, or even his gout. Canonization and Valediction are two of his most prominent poems which may be discussed here. “The most heterogeneous ideas are yoked by violence together” says Samuel Johnson. A commentary on a classic Donne poem by Dr Oliver Tearle ‘For God’s sake hold your tongue, and let me love’: such an opening line demonstrates with refreshing directness John Donne’s genius for grabbing our attention right from the first line of a poem. Each stanza begins and ends with the word “love.” The fourth and eighth lines of each stanza end with a word also ending -ove (the pattern is consistently abbacccaa), all of which unifies the poem around a central theme. A summary of “The Canonization” in John Donne's Donne’s Poetry. His poems are direct and precise as to their purpose. Metaphysical Conceit in "The Flea" Anonymous. John Donne, English poet and priest of the late 16th and early 17th centuries, is generally considered to be the most influential figure of a particular school of poetry which was identified and named by other critics as “metaphysical poetry”, long



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