1 hr 8 mins.
At the beginning of his masterpiece, A Man with a Movie Camera (1929) – which was named in 2012 by Sight and Sound magazine as the 8th best movie ever made – Vertov announced exactly what that kind of cinema would look like: This film is an experiment in cinematic communication of real events without the help of intertitles, without the help of a story, without the help of theatre. At a time when Soviet film was instrumental in communicating State propaganda, Dziga Vertov, the film’s director, experimented with editing techniques and stylistic decisions as a way to rid cinema of its bourgeois elements. Man with a Movie Camera, Dziga Vertov. Dziga Vertov's Man with a Movie Camera (1929), his programmatic writings on cinema, and a notion of subjectivity and perception that is put forward by a handful of philosophers and scholars associated with phenomenological philosophy. Discovered and restored at EYE Film Institute in Amsterdam--with extensive... Read more . In it, he comes closest to realizing his theory of ‘Kino-Eye,’ creating a new, more ambitious and more significant picture than what the eye initially perceives. A man travels around a city with a camera slung over his shoulder, documenting urban life with dazzling invention.
Director . Dziga Vertov . Find trailers, reviews, and all info for Man With a Movie Camera by Dziga Vertov. Features . The film is a dazzling mix of imagery and technique, inviting the viewer to see the city through the eyes of the cameraman, and to share his perception of the events and visions that he encounters through the filmmaking process. The silent, avant-garde documentary Man With a Movie Camera pushed the boundaries of cinematic visual language and opened up the world of filmmaking. Over the next decade-and-a-half, Vertov would devote his life to the construction and organization of these raw images, his apotheosis being the landmark 1929 film THE MAN WITH THE MOVIE CAMERA. At a time when Soviet film was instrumental in communicating State propaganda, Dziga Vertov, the film’s director, experimented with editing techniques and stylistic decisions as a way to rid cinema of its bourgeois elements. Supplier . Few other films demonstrate the full scope of cinematic storytelling. Named the best documentary film of all time by Sight and Sound, it is presented here in its entirety for the first time since its original premiere.
You may not know early Soviet filmmaker Dziga Vertov by name, but perhaps you’ve heard of his most famous film, “Man with a Movie Camera.” Released in 1929, this non-narrative silent film illustrates a day in the life of real Soviet city-dwellers without the use of characters or a plot.
Part of the Series: Dziga Vertov: The Man with the Movie Camera. The silent, avant-garde documentary Man With a Movie Camera pushed the boundaries of cinematic visual language and opened up the world of filmmaking. With Mikhail Kaufman.
Man With a Movie Camera on mubi.com. 1929. Directed by Dziga Vertov.
The Godfather. Dziga Vertov’s 1929 film, The Man with the Movie Camera, documents life in a Russian city while also telling a story about filmmaking.
Mikhail Kaufman .
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